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| Photo credit: duane_j from morguefile.com |
Friday
The Big Heart
The Big Heart
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| Photo credit: duane_j from morguefile.com |
Thursday
Courage
| Photo credit: cohdra from morguefile.com |
Courage
| Photo credit: cohdra from morguefile.com |
Friday
Admonitions to a Special Person
| Photo credit: toymanron from morguefile.com |
The best preservative to keep the mind on health is the faithful admonition of a friend. ~ Sir Francis Bacon
Admonitions to a Special Person
| Photo credit: toymanron from morguefile.com |
The best preservative to keep the mind on health is the faithful admonition of a friend. ~ Sir Francis Bacon
Saturday
The Fortress
while taking a nap with Linda
Under the pink quilted covers,
I hold the pulse that counts your blood.
I think the woods outdoors
are half asleep,
left over from summer
like a stack of books after a flood,
left over like those promises I never keep.
On the right, the scrub pine tree
waits like a fruit store
holding up bunches of tufted broccoli.
We watch the wind from our square bed.
I press down my index finger-
half in jest, half in dread-
on the brown mole
under your left eye, inherited
from my right cheek: a spot of danger
where a bewitched worm ate its way through our soul
in search of beauty. My child, since July
the leaves have been fed
secretly from a pool of beet-red dye.
And sometimes they are battle green
with trunks as wet as hunters' boots,
smacked hard by the wind, clean
as oilskins. No,
the wind's not off the ocean.
Yes, it cried in your room like a wolf
and your pony tail hurt you. That was a long time ago.
The wind rolled the tide like a dying
woman. She wouldn't sleep,
she rolled there all night, grunting and sighing.
Darling, life is not in my hands;
life with its terrible changes
will take you, bombs or glands,
your own child at
your breast, your own house on your own land.
Outside the bittersweet turns orange.
Before she died, my mother and I picked those fat
branches, finding orange nipples
on the gray wire strands.
We weeded the forest, curing trees like cripples.
Your feet thump-thump against my back
and you whisper to yourself. Child,
what are you wishing? What pact
are you making?
What mouse runs between your eyes? What ark
can I fill for you when the world goes wild?
The woods are under water, their weeds are shaking
in the tide; birches like zebra fish
flash by in a pack.
Child, I cannot promise that you will get your wish.
I cannot promise very much.
I give you the images I know.
Lie still with me and watch.
A pheasant moves
by like a seal, pulled through the mulch
by his thick white collar. He's on show
like a clown. He drags a beige feather that he removed,
one time, from an old lady's hat.
We laugh and we touch.
I promise you love. Time will not take away that.
-- Anne Sexton, from All My Pretty Ones (1962)
The Fortress
while taking a nap with Linda
Under the pink quilted covers,
I hold the pulse that counts your blood.
I think the woods outdoors
are half asleep,
left over from summer
like a stack of books after a flood,
left over like those promises I never keep.
On the right, the scrub pine tree
waits like a fruit store
holding up bunches of tufted broccoli.
We watch the wind from our square bed.
I press down my index finger-
half in jest, half in dread-
on the brown mole
under your left eye, inherited
from my right cheek: a spot of danger
where a bewitched worm ate its way through our soul
in search of beauty. My child, since July
the leaves have been fed
secretly from a pool of beet-red dye.
And sometimes they are battle green
with trunks as wet as hunters' boots,
smacked hard by the wind, clean
as oilskins. No,
the wind's not off the ocean.
Yes, it cried in your room like a wolf
and your pony tail hurt you. That was a long time ago.
The wind rolled the tide like a dying
woman. She wouldn't sleep,
she rolled there all night, grunting and sighing.
Darling, life is not in my hands;
life with its terrible changes
will take you, bombs or glands,
your own child at
your breast, your own house on your own land.
Outside the bittersweet turns orange.
Before she died, my mother and I picked those fat
branches, finding orange nipples
on the gray wire strands.
We weeded the forest, curing trees like cripples.
Your feet thump-thump against my back
and you whisper to yourself. Child,
what are you wishing? What pact
are you making?
What mouse runs between your eyes? What ark
can I fill for you when the world goes wild?
The woods are under water, their weeds are shaking
in the tide; birches like zebra fish
flash by in a pack.
Child, I cannot promise that you will get your wish.
I cannot promise very much.
I give you the images I know.
Lie still with me and watch.
A pheasant moves
by like a seal, pulled through the mulch
by his thick white collar. He's on show
like a clown. He drags a beige feather that he removed,
one time, from an old lady's hat.
We laugh and we touch.
I promise you love. Time will not take away that.
-- Anne Sexton, from All My Pretty Ones (1962)
Wednesday
Her Kind

I have gone out, a possessed witch,
haunting the black air, braver at night;
dreaming evil, I have done my hitch
over the plain houses, light by light:
lonely thing, twelve-fingered, out of mind.
A woman like that is not a woman, quite.
I have been her kind.
I have found the warm caves in the woods,
filled them with skillets, carvings, shelves,
closets, silks, innumerable goods;
fixed the suppers for the worms and the elves:
whining, rearranging the disaligned.
A woman like that is misunderstood.
I have been her kind.
I have ridden in your cart, driver,
waved my nude arms at villages going by,
learning the last bright routes, survivor
where your flames still bite my thigh
and my ribs crack where your wheels wind.
A woman like that is not ashamed to die.
I have been her kind.
- by Anne Sexton
Her Kind

I have gone out, a possessed witch,
haunting the black air, braver at night;
dreaming evil, I have done my hitch
over the plain houses, light by light:
lonely thing, twelve-fingered, out of mind.
A woman like that is not a woman, quite.
I have been her kind.
I have found the warm caves in the woods,
filled them with skillets, carvings, shelves,
closets, silks, innumerable goods;
fixed the suppers for the worms and the elves:
whining, rearranging the disaligned.
A woman like that is misunderstood.
I have been her kind.
I have ridden in your cart, driver,
waved my nude arms at villages going by,
learning the last bright routes, survivor
where your flames still bite my thigh
and my ribs crack where your wheels wind.
A woman like that is not ashamed to die.
I have been her kind.
- by Anne Sexton
Gods
![]() |
| http://upload.wikimedia.org/wikipedia/en/8/85/Anne_Sexton_by_Elsa_Dorfman.jpg |
Ms. Sexton went out looking for the gods.
She began looking in the sky
—expecting a large white angel with a blue crotch.
No one.
She looked next in all the learned books
and the print spat back at her.
No one.
She made a pilgrimage to the great poet
and he belched in her face.
No one.
She prayed in all the churches of the world
and learned a great deal about culture.
No one.
She went to the Atlantic, the Pacific, for surely God...
No one.
She went to the Buddha, the Brahma, the Pyramids
and found immense postcards.
No one.
Then she journeyed back to her own house
and the gods of the world were shut in the lavatory.
At last!
she cried out,
and locked the door.
~by Anne Sexton
Gods
![]() |
| http://upload.wikimedia.org/wikipedia/en/8/85/Anne_Sexton_by_Elsa_Dorfman.jpg |
Ms. Sexton went out looking for the gods.
She began looking in the sky
—expecting a large white angel with a blue crotch.
No one.
She looked next in all the learned books
and the print spat back at her.
No one.
She made a pilgrimage to the great poet
and he belched in her face.
No one.
She prayed in all the churches of the world
and learned a great deal about culture.
No one.
She went to the Atlantic, the Pacific, for surely God...
No one.
She went to the Buddha, the Brahma, the Pyramids
and found immense postcards.
No one.
Then she journeyed back to her own house
and the gods of the world were shut in the lavatory.
At last!
she cried out,
and locked the door.
~by Anne Sexton


