Dharma

Credit: Collars-4-Dogs 

The way the dog trots out the front door

every morning

without a hat or an umbrella,

without any money

or the keys to her doghouse

never fails to fill the saucer of my heart

with milky admiration.

Who provides a finer example

of a life without encumbrance—

Thoreau in his curtainless hut

with a single plate, a single spoon?

Gandhi with his staff and his holy diapers?

Off she goes into the material world

with nothing but her brown coat

and her modest blue collar,

following only her wet nose,

the twin portals of her steady breathing,

followed only by the plume of her tail.

If only she did not shove the cat aside

every morning and eat all his food

what a model of self-containment she

would be,

what a paragon of earthly detachment.

If only she were not so eager

for a rub behind the ears,

so acrobatic in her welcomes,

if only I were not her god.

~ Billy Collins

Dharma

Credit: Collars-4-Dogs 

The way the dog trots out the front door

every morning

without a hat or an umbrella,

without any money

or the keys to her doghouse

never fails to fill the saucer of my heart

with milky admiration.

Who provides a finer example

of a life without encumbrance—

Thoreau in his curtainless hut

with a single plate, a single spoon?

Gandhi with his staff and his holy diapers?

Off she goes into the material world

with nothing but her brown coat

and her modest blue collar,

following only her wet nose,

the twin portals of her steady breathing,

followed only by the plume of her tail.

If only she did not shove the cat aside

every morning and eat all his food

what a model of self-containment she

would be,

what a paragon of earthly detachment.

If only she were not so eager

for a rub behind the ears,

so acrobatic in her welcomes,

if only I were not her god.

~ Billy Collins

Introduction to Poetry

Image: I'm writing u a poem by saltyshadow 

I ask them to take a poem

and hold it up to the light

like a color slide

or press an ear against its hive.

I say drop a mouse into a poem

and watch him probe his way out,

or walk inside the poem's room

and feel the walls for a light switch.

I want them to waterski

across the surface of a poem

waving at the author's name on the shore.

But all they want to do

is tie the poem to a chair with rope

and torture a confession out of it.

They begin beating it with a hose

to find out what it really means.

~ Billy Collins

Introduction to Poetry

Image: I'm writing u a poem by saltyshadow 

I ask them to take a poem

and hold it up to the light

like a color slide

or press an ear against its hive.

I say drop a mouse into a poem

and watch him probe his way out,

or walk inside the poem's room

and feel the walls for a light switch.

I want them to waterski

across the surface of a poem

waving at the author's name on the shore.

But all they want to do

is tie the poem to a chair with rope

and torture a confession out of it.

They begin beating it with a hose

to find out what it really means.

~ Billy Collins

Directions

Source: xailurophilia.tumblr.com

The best time is late afternoon
when the sun strobes through
the columns of trees as you are hiking up,
and when you find an agreeable rock
to sit on, you will be able to see
the light pouring down into the woods
and breaking into the shapes and tones
of things and you will hear nothing
but a sprig of birdsong or the leafy
falling of a cone or nut through the trees,
and if this is your day you might even
spot a hare or feel the wing-beats of geese
driving overhead toward some destination.

But it is hard to speak of these things
how the voices of light enter the body
and begin to recite their stories
how the earth holds us painfully against
its breast made of humus and brambles
how we who will soon be gone regard
the entities that continue to return
greener than ever, spring water flowing
through a meadow and the shadows of clouds
passing over the hills and the ground
where we stand in the tremble of thought
taking the vast outside into ourselves.

~ Billy Collins

Directions

Source: xailurophilia.tumblr.com

The best time is late afternoon
when the sun strobes through
the columns of trees as you are hiking up,
and when you find an agreeable rock
to sit on, you will be able to see
the light pouring down into the woods
and breaking into the shapes and tones
of things and you will hear nothing
but a sprig of birdsong or the leafy
falling of a cone or nut through the trees,
and if this is your day you might even
spot a hare or feel the wing-beats of geese
driving overhead toward some destination.

But it is hard to speak of these things
how the voices of light enter the body
and begin to recite their stories
how the earth holds us painfully against
its breast made of humus and brambles
how we who will soon be gone regard
the entities that continue to return
greener than ever, spring water flowing
through a meadow and the shadows of clouds
passing over the hills and the ground
where we stand in the tremble of thought
taking the vast outside into ourselves.

~ Billy Collins

You, Reader

Image: Maggie Smith / FreeDigitalPhotos.net

I wonder how you are going to feel

when you find out

that I wrote this instead of you.

that it was I who got up early

to sit in the kitchen

and mention with a pen

the rain-soaked windows,

the ivy wallpaper,

and the goldfish circling in its bowl

Go ahead and turn aside,

bite your lip and tear out the page,

but, listen—it was just a matter of time

before one of us happened

to notice the unlit candles

and the clock humming on the wall.

Plus, nothing happened that morning—

a song on the radio,

a car whistling along the road outside—

and I was only thinking

about the shakers of salt and pepper

that were standing side by side on a place mat.

I wondered if they had become friends

after all these years

or if they were still strangers to one another

like you and I

who manage to be known and unknown

to each other at the same time—

me at this table with a bowl of pears,

you leaning in a doorway somewhere

near some blue hydrangeas, reading this.

~ Billy Collins

You, Reader

Image: Maggie Smith / FreeDigitalPhotos.net

I wonder how you are going to feel

when you find out

that I wrote this instead of you.

that it was I who got up early

to sit in the kitchen

and mention with a pen

the rain-soaked windows,

the ivy wallpaper,

and the goldfish circling in its bowl

Go ahead and turn aside,

bite your lip and tear out the page,

but, listen—it was just a matter of time

before one of us happened

to notice the unlit candles

and the clock humming on the wall.

Plus, nothing happened that morning—

a song on the radio,

a car whistling along the road outside—

and I was only thinking

about the shakers of salt and pepper

that were standing side by side on a place mat.

I wondered if they had become friends

after all these years

or if they were still strangers to one another

like you and I

who manage to be known and unknown

to each other at the same time—

me at this table with a bowl of pears,

you leaning in a doorway somewhere

near some blue hydrangeas, reading this.

~ Billy Collins

Marginalia

Image: Wikimedia Commons

Sometimes the notes are ferocious,
skirmishes against the author
raging along the borders of every page
in tiny black script.
If I could just get my hands on you,
Kierkegaard, or Conor Cruise O'Brien,
they seem to say,
I would bolt the door and beat some logic into your head.

Other comments are more offhand, dismissive -
"Nonsense." "Please!" "HA!!" -
that kind of thing.
I remember once looking up from my reading,
my thumb as a bookmark,
trying to imagine what the person must look like
why wrote "Don't be a ninny"
alongside a paragraph in The Life of Emily Dickinson.

Students are more modest
needing to leave only their splayed footprints
along the shore of the page.
One scrawls "Metaphor" next to a stanza of Eliot's.
Another notes the presence of "Irony"
fifty times outside the paragraphs of A Modest Proposal.

Or they are fans who cheer from the empty bleachers,
Hands cupped around their mouths.
"Absolutely," they shout
to Duns Scotus and James Baldwin.
"Yes." "Bull's-eye." "My man!"
Check marks, asterisks, and exclamation points
rain down along the sidelines.

And if you have managed to graduate from college
without ever having written "Man vs. Nature"
in a margin, perhaps now
is the time to take one step forward.

We have all seized the white perimeter as our own
and reached for a pen if only to show
we did not just laze in an armchair turning pages;
we pressed a thought into the wayside,
planted an impression along the verge.

Even Irish monks in their cold scriptoria
jotted along the borders of the Gospels
brief asides about the pains of copying,
a bird signing near their window,
or the sunlight that illuminated their page-
anonymous men catching a ride into the future
on a vessel more lasting than themselves.

And you have not read Joshua Reynolds,
they say, until you have read him
enwreathed with Blake's furious scribbling.

Yet the one I think of most often,
the one that dangles from me like a locket,
was written in the copy of Catcher in the Rye
I borrowed from the local library
one slow, hot summer.
I was just beginning high school then,
reading books on a davenport in my parents' living room,
and I cannot tell you
how vastly my loneliness was deepened,
how poignant and amplified the world before me seemed,
when I found on one page

A few greasy looking smears
and next to them, written in soft pencil-
by a beautiful girl, I could tell,
whom I would never meet-
"Pardon the egg salad stains, but I'm in love."

-- Billy Collins

Marginalia

Image: Wikimedia Commons

Sometimes the notes are ferocious,
skirmishes against the author
raging along the borders of every page
in tiny black script.
If I could just get my hands on you,
Kierkegaard, or Conor Cruise O'Brien,
they seem to say,
I would bolt the door and beat some logic into your head.

Other comments are more offhand, dismissive -
"Nonsense." "Please!" "HA!!" -
that kind of thing.
I remember once looking up from my reading,
my thumb as a bookmark,
trying to imagine what the person must look like
why wrote "Don't be a ninny"
alongside a paragraph in The Life of Emily Dickinson.

Students are more modest
needing to leave only their splayed footprints
along the shore of the page.
One scrawls "Metaphor" next to a stanza of Eliot's.
Another notes the presence of "Irony"
fifty times outside the paragraphs of A Modest Proposal.

Or they are fans who cheer from the empty bleachers,
Hands cupped around their mouths.
"Absolutely," they shout
to Duns Scotus and James Baldwin.
"Yes." "Bull's-eye." "My man!"
Check marks, asterisks, and exclamation points
rain down along the sidelines.

And if you have managed to graduate from college
without ever having written "Man vs. Nature"
in a margin, perhaps now
is the time to take one step forward.

We have all seized the white perimeter as our own
and reached for a pen if only to show
we did not just laze in an armchair turning pages;
we pressed a thought into the wayside,
planted an impression along the verge.

Even Irish monks in their cold scriptoria
jotted along the borders of the Gospels
brief asides about the pains of copying,
a bird signing near their window,
or the sunlight that illuminated their page-
anonymous men catching a ride into the future
on a vessel more lasting than themselves.

And you have not read Joshua Reynolds,
they say, until you have read him
enwreathed with Blake's furious scribbling.

Yet the one I think of most often,
the one that dangles from me like a locket,
was written in the copy of Catcher in the Rye
I borrowed from the local library
one slow, hot summer.
I was just beginning high school then,
reading books on a davenport in my parents' living room,
and I cannot tell you
how vastly my loneliness was deepened,
how poignant and amplified the world before me seemed,
when I found on one page

A few greasy looking smears
and next to them, written in soft pencil-
by a beautiful girl, I could tell,
whom I would never meet-
"Pardon the egg salad stains, but I'm in love."

-- Billy Collins

Forgetfulness

Image: digitalart/FreeDigitalPhotos.net 

The name of the author is the first to go
followed obediently by the title, the plot,
the heartbreaking conclusion, the entire novel
which suddenly becomes one you have never read,
never even heard of,

as if, one by one, the memories you used to harbor
decided to retire to the southern hemisphere of the brain,
to a little fishing village where there are no phones.

Long ago you kissed the names of the nine Muses goodbye
and watched the quadratic equation pack its bag,
and even now as you memorize the order of the planets,

something else is slipping away, a state flower perhaps,
the address of an uncle, the capital of Paraguay.

Whatever it is you are struggling to remember,
it is not poised on the tip of your tongue,
not even lurking in some obscure corner of your spleen.

It has floated away down a dark mythological river
whose name begins with an L as far as you can recall,
well on your own way to oblivion where you will join those
who have even forgotten how to swim and how to ride a bicycle.

No wonder you rise in the middle of the night
to look up the date of a famous battle in a book on war.
No wonder the moon in the window seems to have drifted
out of a love poem that you used to know by heart.

~ Billy Collins

Forgetfulness

Image: digitalart/FreeDigitalPhotos.net 

The name of the author is the first to go
followed obediently by the title, the plot,
the heartbreaking conclusion, the entire novel
which suddenly becomes one you have never read,
never even heard of,

as if, one by one, the memories you used to harbor
decided to retire to the southern hemisphere of the brain,
to a little fishing village where there are no phones.

Long ago you kissed the names of the nine Muses goodbye
and watched the quadratic equation pack its bag,
and even now as you memorize the order of the planets,

something else is slipping away, a state flower perhaps,
the address of an uncle, the capital of Paraguay.

Whatever it is you are struggling to remember,
it is not poised on the tip of your tongue,
not even lurking in some obscure corner of your spleen.

It has floated away down a dark mythological river
whose name begins with an L as far as you can recall,
well on your own way to oblivion where you will join those
who have even forgotten how to swim and how to ride a bicycle.

No wonder you rise in the middle of the night
to look up the date of a famous battle in a book on war.
No wonder the moon in the window seems to have drifted
out of a love poem that you used to know by heart.

~ Billy Collins