Showing posts with label Joy Harjo. Show all posts
Showing posts with label Joy Harjo. Show all posts

Saturday

Praise the Rain

Credit: Pexels/Pixabay
Praise the rain; the seagull dive
The curl of plant, the raven talk—
Praise the hurt, the house slack
The stand of trees, the dignity—
Praise the dark, the moon cradle
The sky fall, the bear sleep—
Praise the mist, the warrior name
The earth eclipse, the fired leap—
Praise the backwards, upward sky
The baby cry, the spirit food—
Praise canoe, the fish rush
The hole for frog, the upside-down—
Praise the day, the cloud cup
The mind flat, forget it all—

Praise crazy. Praise sad.
Praise the path on which we're led.
Praise the roads on earth and water.
Praise the eater and the eaten.
Praise beginnings; praise the end.
Praise the song and praise the singer.

Praise the rain; it brings more rain.
Praise the rain; it brings more rain.

~ Joy Harjo

Sunday

Grace

Source: Pixabay
for Darlene Wind and James Welch

I think of Wind and her wild ways the year we had nothing to lose and lost it anyway in the cursed country of the fox. We still talk about that winter, how the cold froze imaginary buffalo on the stuffed horizon of snowbanks. The haunting voices of the starved and mutilated broke fences, crashed our thermostat dreams, and we couldn’t stand it one more time. So once again we lost a winter in stubborn memory, walked through cheap apartment walls, skated through fields of ghosts into a town that never wanted us, in the epic search for grace.

Like Coyote, like Rabbit, we could not contain our terror and clowned our way through a season of false midnights. We had to swallow that town with laughter, so it would go down easy as honey. And one morning as the sun struggled to break ice, and our dreams had found us with coffee and pancakes in a truck stop along Highway 80, we found grace.
   
I could say grace was a woman with time on her hands, or a white buffalo escaped from memory. But in that dingy light it was a promise of balance. We once again understood the talk of animals, and spring was lean and hungry with the hope of children and corn.
   
I would like to say, with grace, we picked ourselves up and walked into the spring thaw. We didn’t; the next season was worse. You went home to Leech Lake to work with the tribe and I went south. And, Wind, I am still crazy. I know there is something larger than the memory of a dispossessed people. We have seen it.

~ Joy Harjo

Don’t Bother the Earth Spirit

Photo by Paul Hughes
Don’t bother the earth spirit who lives here. She is working on a story. It is the oldest story in the world and it is delicate, changing. If she sees you watching she will invite you in for coffee, give you warm bread, and you will be obligated to stay and listen. But this is no ordinary story. You will have to endure earthquakes, lightning, the deaths of all those you love, the most blinding beauty. It’s a story so compelling you may never want to leave; this is how she traps you. See that stone finger over there? That is the only one who ever escaped.

~ Joy Harjo

Perhaps the World Ends Here

Copyright: Mario Curcio @ SwissPhotoGallery
The world begins at a kitchen table. No matter what, we must eat to live.

The gifts of earth are brought and prepared, set on the table. So it has been since creation, and it will go on.

We chase chickens or dogs away from it. Babies teethe at the corners. They scrape their knees under it.

It is here that children are given instructions on what it means to be human. We make men at it, we make women.

At this table we gossip, recall enemies and the ghosts of lovers.

Our dreams drink coffee with us as they put their arms around our children. They laugh with us at our poor falling-down selves and as we put ourselves back together once again at the table.

This table has been a house in the rain, an umbrella in the sun.

Wars have begun and ended at this table. It is a place to hide in the shadow of terror. A place to celebrate the terrible victory.

We have given birth on this table, and have prepared our parents for burial here.

At this table we sing with joy, with sorrow. We pray of suffering and remorse. We give thanks.

Perhaps the world will end at the kitchen table, while we are laughing and crying, eating of the last sweet bite.

~ Joy Harjo

Perhaps the World Ends Here

Copyright: Mario Curcio @ SwissPhotoGallery
The world begins at a kitchen table. No matter what, we must eat to live.

The gifts of earth are brought and prepared, set on the table. So it has been since creation, and it will go on.

We chase chickens or dogs away from it. Babies teethe at the corners. They scrape their knees under it.

It is here that children are given instructions on what it means to be human. We make men at it, we make women.

At this table we gossip, recall enemies and the ghosts of lovers.

Our dreams drink coffee with us as they put their arms around our children. They laugh with us at our poor falling-down selves and as we put ourselves back together once again at the table.

This table has been a house in the rain, an umbrella in the sun.

Wars have begun and ended at this table. It is a place to hide in the shadow of terror. A place to celebrate the terrible victory.

We have given birth on this table, and have prepared our parents for burial here.

At this table we sing with joy, with sorrow. We pray of suffering and remorse. We give thanks.

Perhaps the world will end at the kitchen table, while we are laughing and crying, eating of the last sweet bite.

~ Joy Harjo

Tuesday

Eagle Poem

Photo credit: orchid from morguefile.com
To pray you open your whole self
To sky, to earth, to sun, to moon
To one whole voice that is you.
And know there is more
That you can't see, can't hear
Can't know except in moments
Steadily growing, and in languages
That aren't always sound but other
Circles of motion.
Like eagle that Sunday morning
Over Salt River.  Circles in blue sky
In wind, swept our hearts clean
With sacred wings.
We see you, see ourselves and know
That we must take the utmost care
And kindness in all things.
Breathe in, knowing we are made of
All this, and breathe, knowing
We are truly blessed because we
Were born, and die soon, within a
True circle of motion,
Like eagle rounding out the morning
Inside us.
We pray that it will be done
In beauty.
In beauty.

~ Joy Harjo

Eagle Poem

Photo credit: orchid from morguefile.com
To pray you open your whole self
To sky, to earth, to sun, to moon
To one whole voice that is you.
And know there is more
That you can't see, can't hear
Can't know except in moments
Steadily growing, and in languages
That aren't always sound but other
Circles of motion.
Like eagle that Sunday morning
Over Salt River.  Circles in blue sky
In wind, swept our hearts clean
With sacred wings.
We see you, see ourselves and know
That we must take the utmost care
And kindness in all things.
Breathe in, knowing we are made of
All this, and breathe, knowing
We are truly blessed because we
Were born, and die soon, within a
True circle of motion,
Like eagle rounding out the morning
Inside us.
We pray that it will be done
In beauty.
In beauty.

~ Joy Harjo

Sunday

Morning Prayers

Photo credit: samhakes from morguefile.com
I have missed the guardian spirit
of the Sangre de Cristos
those mountains
against which I destroyed myself
every morning I was sick
with loving and fighting
in those small years.
In that season I looked up
to a blue conception of faith
a notion of the sacred in
the elegant border of cedar trees
becoming mountain and sky.

This is how we were born into the world:
Sky fell in love with earth, wore turquoise,
cantered in on a black horse.
Earth dressed herself fragrantly,
with regard for the aesthetics of holy romance.
Their love decorated the mountains with sunrise,
weaved valleys delicate with the edging of sunset.

This morning I look toward the east
and I am lonely for those mountains
though I've said good-bye to the girl
with her urgent prayers for redemption.
I used to believe in a vision
that would save the people
carry us all to the top of the mountain
during the flood
of human destruction.

I know nothing anymore
as I place my feet into the next world
except this:
the nothingness
is vast and stunning,
brims with details
of steaming, dark coffee
ashes of campfires
the bells on yaks or sheep
sirens careening through a deluge
of humans
or the dead carried through fire,
through the mist of baking sweet
bread and breathing.

This is how we will leave this world:
on horses of sunrise and sunset
from the shadow of the mountains
who witnessed every battle
every small struggle.

~ Joy Harjo

Morning Prayers

Photo credit: samhakes from morguefile.com
I have missed the guardian spirit
of the Sangre de Cristos
those mountains
against which I destroyed myself
every morning I was sick
with loving and fighting
in those small years.
In that season I looked up
to a blue conception of faith
a notion of the sacred in
the elegant border of cedar trees
becoming mountain and sky.

This is how we were born into the world:
Sky fell in love with earth, wore turquoise,
cantered in on a black horse.
Earth dressed herself fragrantly,
with regard for the aesthetics of holy romance.
Their love decorated the mountains with sunrise,
weaved valleys delicate with the edging of sunset.

This morning I look toward the east
and I am lonely for those mountains
though I've said good-bye to the girl
with her urgent prayers for redemption.
I used to believe in a vision
that would save the people
carry us all to the top of the mountain
during the flood
of human destruction.

I know nothing anymore
as I place my feet into the next world
except this:
the nothingness
is vast and stunning,
brims with details
of steaming, dark coffee
ashes of campfires
the bells on yaks or sheep
sirens careening through a deluge
of humans
or the dead carried through fire,
through the mist of baking sweet
bread and breathing.

This is how we will leave this world:
on horses of sunrise and sunset
from the shadow of the mountains
who witnessed every battle
every small struggle.

~ Joy Harjo

Monday

This is My Heart

This is my heart. It is a good heart.
Bones and a membrane of mist and fire
are the woven cover.
When we make love in the flower world
my heart is close enough to sing
to yours in a language that has no use
for clumsy human words.

My head, is a good head, but it is a hard head
and it wirrs inside with a swarm of worries.
What is the source of this singing, it asks
and if there is a source why can’t I see it
right here, right now
as real as these hands hammering
the world together
with nails and sinew?

This is my soul. It is a good soul.
It tells me, “come here forgetful one.”
And we sit together with a lilt of small winds
who rattle the scrub oak.
We cook a little something
to eat: a rabbit, some sofkey
then a sip of something sweet
for memory.

This is my song. It is a good song.
It walked forever the border of fire and water
climbed ribs of desire to my lips to sing to you.
Its new wings quiver with
vulnerability.

Come lie next to me, says my heart.
Put your head here.
It is a good thing, says my soul.

~ Joy Harjo
_______________________________________

The heart has reasons that reason does not understand. ~ Jacques Benigne Bossuel

This is My Heart

This is my heart. It is a good heart.
Bones and a membrane of mist and fire
are the woven cover.
When we make love in the flower world
my heart is close enough to sing
to yours in a language that has no use
for clumsy human words.

My head, is a good head, but it is a hard head
and it wirrs inside with a swarm of worries.
What is the source of this singing, it asks
and if there is a source why can’t I see it
right here, right now
as real as these hands hammering
the world together
with nails and sinew?

This is my soul. It is a good soul.
It tells me, “come here forgetful one.”
And we sit together with a lilt of small winds
who rattle the scrub oak.
We cook a little something
to eat: a rabbit, some sofkey
then a sip of something sweet
for memory.

This is my song. It is a good song.
It walked forever the border of fire and water
climbed ribs of desire to my lips to sing to you.
Its new wings quiver with
vulnerability.

Come lie next to me, says my heart.
Put your head here.
It is a good thing, says my soul.

~ Joy Harjo
_______________________________________

The heart has reasons that reason does not understand. ~ Jacques Benigne Bossuel

Wednesday

Deer Dancer

Credit: Daniel Hernandez
Nearly everyone had left that bar in the middle of winter except the hardcore. It was the coldest night of the year, every place shut down, but not us. Of course we noticed when she came in. We were Indian ruins. She was the end of beauty. No one knew her, the stranger whose tribe we recognized, her family related to deer, if that's who she was, a people accustomed to hearing songs in pine trees, and making them hearts.

The woman inside the woman who was to dance naked in the bar of misfits blew deer magic. Henry Jack, who could not survive a sober day, thought she was Buffalo Calf Woman come back, passed out, his head by the toilet. All night he dreamed a dream he could not say. The next day he borrowed money, went home, and sent back the money I lent. Now that's a miracle.

Some people see vision in a burned tortilla, some in the face of a woman.

This is the bar of broken survivors, the club of the shotgun, knife wound, of poison by culture. We who were taught not to stare drank our beer. The players gossiped down their cues. Someone put a quarter in the jukebox to relive despair. Richard’s wife dove to kill her. We had to keep her still, while Richard secretly bought the beauty a drink.

How do I say it? In this language there are no words for how the real world collapses. I could say it in my own and the sacred mounds would come into focus, but I couldn't take it in this dingy envelope. So I look at the stars in this strange city, frozen to the back of the sky, the only promises that ever make sense.

My brother-in-law hung out with white people, went to law school with a perfect record, quit. Says you can keep your laws, your words. And practiced law on the street with his hands. He jimmied to the proverbial dream girl, the face of the moon, while the players racked a new game.

He bragged to us, he told her magic words and that when she broke, became human.

But we all heard his voice crack:

What's a girl like you doing in a place like this?

That's what I'd like to know, what are we all doing in a place like this?

You would know she could hear only what she wanted to; don't we all? Left the drink of betrayal Richard bought her, at the bar. What was she on? We all wanted some. Put a quarter in the juke. We all take risks stepping into thin air. Our ceremonies didn't predict this. Or we expected more.

I had to tell you this, for the baby inside the girl sealed up with a lick of hope and swimming into the praise of nations. This is not a rooming house, but a dream of winter falls and the deer who portrayed the relatives of strangers. The way back is deer breath on icy windows.

The next dance none of us predicted. She borrowed a chair for the stairway to heaven and stood on a table of names. And danced in the room of children without shoes.

You picked a fine time to leave me, Lucille, with four hungry children and a crop in the field.

And then she took off her clothes. She shook loose memory, waltzed with the empty lover we'd all become.

She was the myth slipped down through dreamtime. The promise of feast we all knew was coming. The deer who crossed through knots of a curse to find us. She was no slouch, and neither were we, watching.

The music ended. And so does the story. I wasn't there. But I imagined her like this, not a stained red dress with tape on her heels but the deer who entered our dream in white dawn, breathed mist into pine trees, her fawn a blessing of meat, the ancestors who never left.

~ Joy Harjo

Deer Dancer

Credit: Daniel Hernandez
Nearly everyone had left that bar in the middle of winter except the hardcore. It was the coldest night of the year, every place shut down, but not us. Of course we noticed when she came in. We were Indian ruins. She was the end of beauty. No one knew her, the stranger whose tribe we recognized, her family related to deer, if that's who she was, a people accustomed to hearing songs in pine trees, and making them hearts.

The woman inside the woman who was to dance naked in the bar of misfits blew deer magic. Henry Jack, who could not survive a sober day, thought she was Buffalo Calf Woman come back, passed out, his head by the toilet. All night he dreamed a dream he could not say. The next day he borrowed money, went home, and sent back the money I lent. Now that's a miracle.

Some people see vision in a burned tortilla, some in the face of a woman.

This is the bar of broken survivors, the club of the shotgun, knife wound, of poison by culture. We who were taught not to stare drank our beer. The players gossiped down their cues. Someone put a quarter in the jukebox to relive despair. Richard’s wife dove to kill her. We had to keep her still, while Richard secretly bought the beauty a drink.

How do I say it? In this language there are no words for how the real world collapses. I could say it in my own and the sacred mounds would come into focus, but I couldn't take it in this dingy envelope. So I look at the stars in this strange city, frozen to the back of the sky, the only promises that ever make sense.

My brother-in-law hung out with white people, went to law school with a perfect record, quit. Says you can keep your laws, your words. And practiced law on the street with his hands. He jimmied to the proverbial dream girl, the face of the moon, while the players racked a new game.

He bragged to us, he told her magic words and that when she broke, became human.

But we all heard his voice crack:

What's a girl like you doing in a place like this?

That's what I'd like to know, what are we all doing in a place like this?

You would know she could hear only what she wanted to; don't we all? Left the drink of betrayal Richard bought her, at the bar. What was she on? We all wanted some. Put a quarter in the juke. We all take risks stepping into thin air. Our ceremonies didn't predict this. Or we expected more.

I had to tell you this, for the baby inside the girl sealed up with a lick of hope and swimming into the praise of nations. This is not a rooming house, but a dream of winter falls and the deer who portrayed the relatives of strangers. The way back is deer breath on icy windows.

The next dance none of us predicted. She borrowed a chair for the stairway to heaven and stood on a table of names. And danced in the room of children without shoes.

You picked a fine time to leave me, Lucille, with four hungry children and a crop in the field.

And then she took off her clothes. She shook loose memory, waltzed with the empty lover we'd all become.

She was the myth slipped down through dreamtime. The promise of feast we all knew was coming. The deer who crossed through knots of a curse to find us. She was no slouch, and neither were we, watching.

The music ended. And so does the story. I wasn't there. But I imagined her like this, not a stained red dress with tape on her heels but the deer who entered our dream in white dawn, breathed mist into pine trees, her fawn a blessing of meat, the ancestors who never left.

~ Joy Harjo

Tuesday

Ah, Ah

Photo credit: caitcolf from morguefile.com
for Lurline McGregor
Ah, ah cries the crow arching toward the heavy sky over the marina.
Lands on the crown of the palm tree.

 Ah, ah slaps the urgent cove of ocean swimming through the slips.
We carry canoes to the edge of the salt.

 Ah, ah groans the crew with the weight, the winds cutting skin.
We claim our seats. Pelicans perch in the draft for fish.

 Ah, ah beats our lungs and we are racing into the waves.
Though there are worlds below us and above us, we are straight ahead.

 Ah, ah tattoos the engines of your plane against the sky—away from these waters.
Each paddle stroke follows the curve from reach to loss.

 Ah, ah calls the sun from a fishing boat with a pale, yellow sail. We fly by
on our return, over the net of eternity thrown out for stars.

 Ah, ah scrapes the hull of my soul. Ah, ah.

 ~ Joy Harjo
______________________________________________________

Ah, women. They make the highs higher and the lows more frequent. ~ Friedrich Nietzsche

Ah, Ah

Photo credit: caitcolf from morguefile.com
for Lurline McGregor
Ah, ah cries the crow arching toward the heavy sky over the marina.
Lands on the crown of the palm tree.

 Ah, ah slaps the urgent cove of ocean swimming through the slips.
We carry canoes to the edge of the salt.

 Ah, ah groans the crew with the weight, the winds cutting skin.
We claim our seats. Pelicans perch in the draft for fish.

 Ah, ah beats our lungs and we are racing into the waves.
Though there are worlds below us and above us, we are straight ahead.

 Ah, ah tattoos the engines of your plane against the sky—away from these waters.
Each paddle stroke follows the curve from reach to loss.

 Ah, ah calls the sun from a fishing boat with a pale, yellow sail. We fly by
on our return, over the net of eternity thrown out for stars.

 Ah, ah scrapes the hull of my soul. Ah, ah.

 ~ Joy Harjo
______________________________________________________

Ah, women. They make the highs higher and the lows more frequent. ~ Friedrich Nietzsche